Sell or Auction Your Journey Into Mystery #83 Comic Book for up to Over $200,000 or More at Nate D. Sanders Auctions
FREE ESTIMATE. To buy, auction, sell or consign your Journey Into Mystery #83 comic book that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).
Sell Your Journey Into Mystery #83 Comic Book
Below is a recent realized price for a Journey Into Mystery #83 comic book. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
Journey Into Mystery #83 Comic Book. Sold for over $200,000.
Nate D. Sanders Auctions has sold the following comic items:
One of the greatest pieces of artwork by Hal Foster in his career, the original artwork for the 120th ”Prince Valiant” Sunday comic strip from 28 May 1939. In this instantly recognizable piece — featured on the cover of Fantagraphics’ ”Prince Valiant Vol. 2: 1939-1940” and in numerous ”Prince Valiant” publications — Val sees the foreboding castle of Andelkrag in person, surrounded by Huns as they prepare to attack it. The six panel strip measures 26” x 34.5”, (the large Andelkrag panel measures 17” x 21” by itself), with incredible detail showing the seemingly impregnable fortress, the mountains behind it, the flames roiling up aside it and Prince Valiant standing upon a hillside, gazing at its beauty and enormity. In this strip, Val makes his approach and plunges into the river moat at darkness, to find a fire-raft built by the Huns in order to destroy Andelkrag’s bridge. As Prince Valiant destroys their handiwork, the Huns vow revenge in return. Artwork is signed by Foster on the second panel, inscribed to ”Edward W. Larson / with friendly greetings / Hal Foster”. With King Features Syndicate, Inc. label on fifth panel, with 1939 copyright. The date of 28 May 1939 appears on the fourth panel, along with ”120”, the number of this Prince Valiant strip in the life of the series. Artwork is mounted to board and matted to a size of 33” x 41.5”, with matting strips separating the panels. With minute amount of soiling, artwork is in near fine condition. Accompanied by the color newsprint of this artwork and two ”Prince Valiant” books featuring this strip. Sold for $70,461.
Charles Schulz Snoopy Red Baron Comic Strip Art — Appeared on New Years Day 1967 — Snoopy Confronts His Nemesis “The Red Baron”
Very scarce and desirable “Red Baron” Peanuts comic strip, hand-drawn by Charles Schulz. Appearing Sunday, 1 January 1967 and featuring Snoopy and Charlie Brown, this 15-panel strip is one of only eight “Peanuts” Sunday strips to run on New Years day. Strip features Snoopy as the Flying Ace, comically fantasizing about shooting down his WWI nemesis, the “Red Baron”. Tired of Snoopy’s ruckus, the European tavern owner in Snoopy’s dreams unceremoniously kicks him out of his doghouse in the pouring rain. Luckily, he always has Charlie Brown, with whom he reigns in the New Year. United Feature Syndicate label appears on second to last panel. 22.5″ x 15.5″ strip is matted to an overall size of 29.75″ x 22.5″. Very light creasing. Near fine. Sold for $60,000.
Special ”Peanuts” original comic strip, hand-drawn by Charles Schulz for publication on 16 December 1957. Strip is one of the rare examples of Schulz meticulously recreating a musical score by Beethoven, in this case Piano Sonata No. 1. Schroeder whistles the Sonata to call in Snoopy for dinner, who trots in on four legs rather than two, a hallmark of the early ”Peanuts” strips. With United Feature Syndicate label on first panel, strip measures 29” x 7”. Mild toning, overall very good to near fine condition. Sold for $58,954.
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Original Sunday ”Peanuts” comic strip, hand-drawn by Charles Schulz. In this ”April showers” themed strip, published 26 April 1970, Snoopy, Woodstock and Peppermint Patty get caught in a downpour, but then little Woodstock is further harassed by a flowing rain gutter. Strip measures 24” x 17”, inscribed by Schulz to Jim Pearson. Near fine condition. Sold for $56,250.
Incredible Robert Crumb original cover art for ”The Complete Crumb Comics”, Volume 6 entitled ”On the Crest of a Wave”, published by Fantagraphic Books in 1991. This fantastic example of original Crumb artwork shows Crumb himself riding the crest of a wave of flesh and humanity, populated with familiar faces from 1960s counterculture, including Jerry Garcia. This piece served as the cover for Volume 6 of a 17 volume exhaustive series of Crumb’s artistic output, with Vol. 6 documenting approximately two years from the late 1960s into the early 1970s. Ink on illustration board, cover measures 13” x 17” with ”The Complete Crumb Comics” header affixed; artwork alone measures 10” x 13”. Artwork is affixed at the top to the backing mat by two pieces of tape, measuring 16” x 20” with mat. Near fine condition. Sold for $41,250.
”Prince Valiant” Comic Strip by Hal Foster From 5 October 1941
Original “Prince Valiant in the Days of King Arthur” strip in two parts, dated 5 October 1941. In this chapter, we witness the wizard Belsatan cast a powerful spell for the return of his wife and its dramatic aftermath (which is “beyond description!”). In earlier action, Belsatan had concocted a scheme to use Val to get rid of his beautiful, but nagging wife, Acidia. The schemed worked, but the wizard soon grew lonely, leading to the action featured in this strip, a fantastic example by Hal Foster, the strip’s creator, working at the absolute top of his game. Foster inscribes the strip to his “favorite comic artist ‘Chick’ Young”. Hand-drawn strip measures 29″ x 15″ and 29″ x 22″. Both parts of the strip are mounted, with very light toning, overall very good to near fine. From the estate of “Blondie” creator, Chic Young. Sold for $27,981.
Original Cover Art for ”Marvel Tales Starring Spider-Man!” by Sal Buscema
Cover art by Sal Buscema for the September 1972 issue of ”Marvel Tales Starring Spider-Man!” In this issue (Vol. 2, #37), a reprint of the September 1967 edition, Spider-Man saves himself and J. Jonah Jameson after being left to drown in the Kingpin’s cellar. Bold and complex art measures 11.5” x 16” on Marvel illustration board. Dialogue bubbles and titling glued on. Some creasing and chipping to margins, but art itself is very good to near fine. Accompanied by published comic book. An excellent example of Spider-Man cover art. Sold for $12,500.
Auction your Journey Into Mystery #83 comic book at Nate D. Sanders Auctions. Send a description and images of your Journey Into Mystery #83 comic book to us at [email protected].
Complete Joe Orlando hand-drawn comic tale, “The Lake”, signed and dated “Ray Bradbury Oct, 1988″. Comic was adapted by Al Feldstein from the Ray Bradbury short story of the same name and published in the June/July 1953 issue of ”EC Comics Vault of Horror”. 40 panels in all illustrate the heart-wrenching tale of a boy who witnesses the drowning of his childhood best friend. Feldstein initially adapted Bradbury’s stories without his permission, but eventually Bradbury allowed the use of the stories and ”The Lake” is one of only two official adaptations commissioned by Bradbury. Each page has a copyright stamp to verso, and the first page contains a copyright belonging to Bradbury. Measures 15” x 22”. Pencil marks on the margins of each page. Very good. Sold for $7,500.
Marvel Comics The X-Men 1 – September 1963 – Graded 7.5 out of 10 – Origin & 1st Appearance of X-Men & Magneto — Sold for $5,363.
Marvel Comics Fantastic Four #1 — November 1961 — CGC Universal Grade 4.5 — Off-White Pages — First Appearance of the Fantastic Four — Sold for $4,201.
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