FREE APPRAISAL. To buy, auction, sell or consign your Sam Gilliam acrylic on cotton canvas that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).

Sell Your Sam Gilliam Acrylic on Cotton Canvas

Below is a recent realized price for a Sam Gilliam acrylic on cotton canvas. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:

Sam Gilliam Acrylic on Cotton Canvas. Sold for over $200,000.

Here are some art items that our auction house, Nate D. Sanders (http://www.NateDSanders.com), has sold:

Norman Rockwell Oil on Canvas Painting of Richard Nixon — The National Portrait Gallery Study for ”Mr. President (Richard Nixon)”, Painted in 1968

Norman Rockwell oil on canvas painting of Richard Nixon, signed ”Norman / Rockwell” at lower right. Painting is the study for ”Mr. President (Richard Nixon)”, which resides in the National Portrait Gallery, Smithsonian Institution, and was published in the 4 February 1969 issue of ”Look” magazine, captioned ”Weighed, yet buoyed, by the American past and present, Richard M. Nixon, 37th President, faces the future in this Rockwell portrait”.

Rockwell painted this study in late 1968 of then President-Elect Richard Nixon, a man whose portrait he found ”elusive” but whose features here are unmistakenly Nixon, revealing at the same time both the guardedness and warmth of the 37th President. As the premiere portraitist of the 20th century, one would expect no less from Rockwell. Oil on canvas measures 14” x 11”. Provenance is from Judy Goffman Fine Art of New York, and then subsequently the Charles E. Sigety Collection. Exhibited at the Mississippi Museum of Art in ”Norman Rockwell: The Great American Storyteller” from 2 March-15 May 1988, no. 64. Painting is in very good condition, with a stretcher bar mark along upper edge. Wax lined, with no inpainting. Sold for $125,000.

Jessie Willcox Smith Original Cover Art for ”Good Housekeeping” From November 1920 Entitled ”We Give Thee Thanks”

Beloved American illustrator, Jessie Willcox Smith original cover art for the November 1920 issue of ”Good Housekeeping” as well as the April 1922 issue of the UK edition, entitled ”We Give Thee Thanks”. Mixed media on illustration board measures 18.25” x 19”, showing two children praying before their meal. Signed ”Jessie Willcox Smith” at lower right. Artwork is one of Willcox Smith’s most memorable pieces, with limited edition lithographs even being made of it, a quintessential example of her work featuring two gently postured children in a moment of gratitude and familial warmth.

Jessie Willcox Smith was the exclusive cover artist for ”Good Housekeeping” from 1917-1933, and was the second woman inducted into the Society of Illustrators Hall of Fame, followed shortly thereafter by Elizabeth Shippen Green and Violet Oakley, fellow members of the Red Rose Girls, a group of female artists who flourished during the Golden Age of Illustration. Very good condition with no restoration apparent under blacklight. Artwork was given to Anne Champe Orr, the needlework editor for ”Good Housekeeping”, and then by descent to consignor. Sold for $82,500.

Pablo Picasso “Le Dejeuner Sur L’herbe” (“Lunch on the Grass”), No. 517 — Stunning Plaque Created at Madoura Pottery Studios Measures 24″ x 20″ in Classic Picasso Style — Picasso’s Artist Proof

Unmistakably Pablo Picasso terre de faience (earthenware) plaque ”Le Dejeuner Sur L’herbe” (”Lunch on the Grass”) created at the famed Madoura pottery studio in the south of France, where Picasso collaborated the last 25 years of his life. Painted 24” x 20” plaque is Picasso’s own artist proof, apart from the very limited edition of 50 made by Picasso in his quintessential style in 1964. Inscribed ”Edition Editeur”, with both the Empreinte Originale de Picasso and Madoura stamps. Measures 24” x 20”. In very good plus condition with a few minute chips along verso of right edge. Number 517 in Alan Ramie’s ”Picasso, Catalogue of the Edited Ceramic Works, 1947-1971”. Sold for $55,125.

Richmond Barthé Bronze Sculpture of Féral Benga — The Sculptor’s Most Famous Work, and a Hallmark of the Harlem Renaissance

Richmond Barthe bronze sculpture of Feral Benga, representing the zenith of Barthe’s figurative work, and a hallmark of the Harlem Renaissance. Completed in 1935, Barthe sculpted this full-body nude of the cabaret dancer Benga after seeing him perform at the Folies Bergeres in Paris the previous year. The lines are both strong and graceful, expressing the power of a black man raising high a sword, contrasted with the elegant movements of a dancer. Its importance to the canon of African-American art is such that it was included in the landmark “The Negro in Art”, published in 1940. Signed “Barthe” upon the base, sculpture was cast circa 1960 at the Modern Art Foundry in New York. Sculpture measures 19″ not including marble base. Near fine. With provenance from the Ascension Gallery in Washington DC. Sold for $47,500.

FREE APPRAISAL. To buy, auction, sell or consign your Sam Gilliam acrylic on cotton canvas that is for sale, please email your description and photos to [email protected] of Nate D. Sanders Auctions (http://www.NateDSanders.com).

We offer the following services for your Sam Gilliam acrylic on cotton canvas:

• Appraise Sam Gilliam acrylic on cotton canvas.
• Auction Sam Gilliam acrylic on cotton canvas.
• Sell Sam Gilliam acrylic on cotton canvas.