Sell or Auction Your Snow White and the Seven Dwarfs Signed Items for up to $15,000 or More at Nate D. Sanders Auctions
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Snow White and the Seven Dwarfs Signed Memorabilia
We at Nate D. Sanders Auctions have had a lot of success with memorabilia from Disney’s 1937 film Snow White and the Seven Dwarfs, including signed items by Walt Disney. Please see below for some realized prices:
Original animation cel from Disney’s 1937 classic ”Snow White and the Seven Dwarfs” featuring the most famous moment in the film, the Queen in her old hag disguise handing Snow White the famed poisoned apple. Snow White is portrayed in her iconic gown and with a red bow in her hair, innocently looking at the bright red apple. With ”Snow White and the Witch” handwritten in cursive pencil to left side mat below cel, along with, ”Original / WDP (Walt Disney Pictures)” in ink to bottom right. Cel measures 11” x 7.5”, matted in white with a gilt color frame to an overall size of 20” x 16”. Cel is pristine and in fine condition. With a COA from the Ray Bradbury estate. Sold for $15,000.
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Very rare Walt Disney letter signed regarding the proposed “Anti-Block Booking and Blind Selling Bill”, anti-trust legislation in the U.S. Congress that rocked Hollywood during the 1930s, so important to the movie industry that stars such as Shirley Temple were dispatched to Capitol Hill to testify against it. Composed on colorful “Snow White and the Seven Dwarfs” letterhead, Disney writes this three-page letter on 11 April 1938 to Senator Tom Connally, methodically explaining how such legislation would not only negatively impact Disney’s “Mickey Mouse” short films, but also prevent it from making features such as “Snow White and the Seven Dwarfs”, which had premiered only four months earlier.
At the center of the controversy were the bill’s proposed bans on “compulsory block booking”, which would prohibit studios from requiring independent theaters to buy a slate of films, and “blind selling”, which would force studios to provide a “complete and true synopsis” of the film, thereby giving them no flexibility to change the story based on test screenings, etc. While these provisions would give independent theaters more leverage over studios, Walt Disney explains the devastating impact they would have upon his animated films. Letter reads in part,
“I have read Senate Bill 153, introduced by Senator Neely, which proposes to prohibit what is called ‘compulsory block booking’ and ‘blind selling’ in the leasing of motion picture films in interstate and foreign commerce. / I consider that the passing of this legislation would impose a great hardship on the motion picture industry and, with special reference to short subject producers like ourselves, would result in making it impossible for many to continue in business because of the added difficulties that would confront the producers.
All short subjects are produced in ‘series’. Our ‘Mickey Mouse’ and ‘Silly Symphony’ cartoons are produced and released in series of thirteen subjects each. We attempt to carry out a schedule under which one subject is released every two weeks. / Under present conditions an independent producer of good short subjects has great difficulty in getting a commensurate return for his product, and the profit margin in producing and idstributing [sic] short subjects today, to the independent producer, is so narrow that it has caused a great lack of good short product on the market.
Short subjects distribution costs to the independent producer are extremely high, because of the fact that each separate picture of a series entails all the handling, servicing, billing and collecting of accounts by a distributor, as does each separate feature picture. Yet the rentals, by comparison, are only a small fraction of those secured for feature pictures. This great amount of work and effort necessarily makes distribution costs high on short subjects…[which] range from thirty-five to fifty percent…If the distributor were required to sell each short subject singly, the cost of saled [sic] would greatly increase and the result would be still less returns to the independent producer, and inferior pictures for the public.
The only alternative to poorer pictures would be higher film rentals to the exhibitor for his short subjects, or a complete abolition of short subjects from independent producers. In either event, this much seems certain: the passage of the Neely Bill would mean the departure of ‘Mickey Mouse’ and the ‘Silly Symphony’ cartoons from neighborhood and small town theatres…If short subjects were sold individually the exhibitor would be required many times to pay much higher rentals for outstanding short subjects as, for instance, on such picture as our ‘Three Little Pigs,’ ‘Country Cousin,’ the ‘Old Mill’, special Christmas subjects, etc…
I feel most strongly that the ‘synopsis’ requirements of the bill would be very harmful to the sales value of any picture and its ultimate entertainment value to the public. / While we are primarily short subject producers, we have successfully produced and released our first feature length picture entitled ‘SNOW WHITE AND SEVEN DWARFS’ which represents an outlay of approximately one and one-half million dollars includina [sic] print costs. This motion picture, during the three years of its production, was in the nature of a very hazardous venture in a new field. If a synopsis were compulsory, I am certain that it would be very injurious to the box-office value of such pictures. If we had known before entering into the production of ‘SNOW WHITE AND THE SEVEN DWARFS’ that we would have to meet the synopsis requirement, it is very doubtful that our company would have ventured in this hazardous undertaking. / I feel that the passage of the ‘Neely Bill’ would be a calamity to the motion picture industry…[signed] Walt Disney”.
Exceptional letter measures 8.5″ x 10″ on three separate sheets of Walt Disney Productions, Ltd. letterhead. Folds, original staple at upper left and some foxing, but overall in very good condition, an important letter in the history of motion pictures. Sold for $8,125.
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Disney’s ”Snow White and the Seven Dwarfs” Original Cel — Beautiful, Near Fine Condition
Original animation cel from Disney’s 1937 motion picture masterpiece “Snow White and the Seven Dwarfs.” Despite Hollywood snickering that “Snow White” would be “Disney’s folly” and bankrupt his studio, the prescient animator forged ahead to create the first-ever fully animated feature film. Three years into its making, when resources ran dry, he had to secure emergency funding by showing a rough cut of the film to bank executives. When it finally premiered in December 1937, Disney silenced his critics through the audience’s reaction, which gave the film a standing ovation and singularly ushered in the Golden Age of Animation. In this cel, Snow White communes with a little band of forest creatures who become her faithful allies as the story unfolds. This Courvoisier set-up cel is affixed to paperboard and matted, with “Snow White” inscribed in pencil to the outer mat. Printed slips affixed to verso read “Original Work From Snow White and the Seven Dwarfs” and “This Material Inflammable / Handle With Care / Frame Under Glass / Copyright 1937 / Walt Disney Enterprises”. Artwork measures 7″ x 7.5″, matted to an overall size of 9.5″ x 11.75″. Near fine. Sold for $7,199.
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Rare ”Snow White” Disney Original Cel from 1937
Incredibly rare Disney cel from ”Snow White”. Cel depicts the Prince kneeling to Snow White on a white horse. With a tag on the back of the mat originally taken from the back of the cell or its frame that identifies this as an ”original work” and from ”1937”. Near fine. Sold for $5,850.
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Original ”Snow White and the Seven Dwarfs” Cels — Featuring Snow White With the Dwarfs
Original animation cels from Disney’s 1937 classic ”Snow White and the Seven Dwarfs”, featuring Snow White dancing with four of the dwarfs. ”Snow White” was Disney’s exceptionally successful and groundbreaking film, the first-ever fully animated feature film that ushered in the Golden Age of Animation. Large display measures 13.25” x 10.25”, matted and framed to 21.5” x 19”. With embossed copyright of ”W.D.E.” at lower right of mat, and also with ”Snow White and the Dwarfs” handwritten in cursive pencil on mat below cel. Light uniform toning to mat, and some discoloration, possibly staining that can be removed, to some of the cels. Overall in very good condition. Sold for $5,000.
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Walt Disney signed reproduction cel from his animation classic ”Snow White and the Seven Dwarfs”. Disney’s large signature – measuring approximately 6.25” x 3” with a flourish, appears on the mat underneath the illustration from ”Snow White”, Disney’s groundbreaking film that ushered in the Golden Age of Animation. With Walt Disney Productions label on verso and ”Walt Disney’s Snow White” handwritten in cursive on mat under image. Mat measures 16” x 14.5”. Light toning and chipping to edges, overall very good plus condition. Sold for $4,125.
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Ray Bradbury Personally Owned Disney Animation Cel From ”Snow White and the Seven Dwarfs”
Original animation cel from Disney’s motion picture masterpiece ”Snow White and the Seven Dwarfs”, from the collection of Ray Bradbury. In this cel, five of the lovable dwarfs stand around a water basin. Matted with a background that highlights their shadows on the wall behind them. Cel measures 11.25” x 8.5”. Framed to an overall size of 19” x 17”. Some fading with peeling and separation of paint, otherwise very good. With a COA from the Ray Bradbury estate. Sold for $3,750.
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Disney’s ”Snow White and the Seven Dwarfs” Original Cel — Featuring the Lovable Character ”Dopey”
Original animation cel from Disney’s 1937 classic ”Snow White and the Seven Dwarfs.” This portrait cel shows Dopey with hand high in the air, pointing downward. Matted and set-up (background artwork added to enhance the framed cel) by Courvoisier, the official art gallery for Walt Disney Studios during much of the 20th century, artwork measures 5.25” x 5.5”, matted to 8” x 9.75”. Printed slips affixed to verso read ”Original Work From Snow White and the Seven Dwarfs” and ”This Material Inflammable / Handle With Care / Frame Under Glass / Copyright 1937 / Walt Disney Enterprises”. Near fine. Sold for $2,772.
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Walt Disney signed copy of ”Snow White and the Seven Dwarfs”, signed in blue crayon and taking up nearly the full page of the front free endpaper. Grosset & Dunlap: New York: 1938. This edition came on the heels of the 1937 film, which overcame all odds to be the most successful film of the year and garnered Disney one full and seven miniature Oscars. Hardcover measures 9” x 7.5” and runs 40pp. Cocking to spine and separation of pages starting at joint. Good to very good condition. Sold for $2,290.
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Disney animators signed first edition of ”Snow White and the Seven Dwarfs”, published by Harper & Brothers: 1937. Hardcover volume is based on Disney’s first and indeed the first ever animated feature film. Generously illustrated children’s book is signed throughout by more than 50 artists, animators and various members of the classic film’s distinguished production staff. Bound in pictorial paper boards with pictorial endpapers and original dustjacket. Measures 9.75” x 12.75”. Surface loss to board edges and toning to leaves, else near fine. Toning and chipping to dustjacket, else near fine. Sold for $1,250.
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Disney’s ”Snow White and the Seven Dwarfs” Original Cel — Featuring the Lovable Character ”Happy”
Original animation cel from Disney’s 1937 classic ”Snow White and the Seven Dwarfs” featuring the character ”Happy”. Despite Hollywood snickering that ”Snow White” would be ”Disney’s folly” and bankrupt his studio, the prescient animator forged ahead to create the first-ever fully animated feature film. Three years into its making, when resources ran dry, he had to secure emergency funding by showing a rough cut of the film to bank executives. When it finally premiered in December 1937, Disney silenced his critics through the audience’s reaction, which gave the film a standing ovation and singularly ushered in the Golden Age of Animation. Portrait cel depicts Happy gleefully posing in his signature costume. Matted and set up by Courvoisier, the official art gallery for Walt Disney Studios during much of the 20th century, though official Courvoisier signature sticker to verso is no longer intact. Cel measures 6” x 7.5”, framed to an overall size of 13.5” x 15”. Minor toning from age, otherwise cel is pristine with no chipping. Near fine. Sold for $1,000.
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