Sell or Auction Your John Josiah Boydell Shakspeare 2 Volumes 1803 for up to Over $12,500 or More at Nate D. Sanders Auctions
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Below is a recent realized price for 2 volumes of prints illustrating the works of Shakspeare by John and Josiah Boydell. We at Nate D. Sanders Auctions can obtain up to this amount or more for you:
John and Josiah Boydell Shakspeare 2 Volumes 1803. Sold for Over $12,500.
The following are some prices we have realized for related memorabilia:
Gutenberg Bible Leaf — Scarce Leaf From the 15th Century Bible Made From Moveable Type That Ushered in the Age of Enlightenment
Scarce leaf from the Gutenberg Bible, one of the earliest major books printed from moveable metal type, the invention that ushered in the Age of Enlightenment by democratizing knowledge through mass production of literature. Printed by Johannes Gutenberg in Mainz, Germany from 1450-1455, less than 50 complete or near-complete copies of the Gutenberg Bible are now extant, with nearly all those housed in public institutions. Singular leaves are also scarce, with the leaf presented here having been acquired by bookseller Gabriel Wells, whose purchase of an incomplete Bible in 1920 gave way to selling the individual leaves alongside an essay by A. Edward Newton entitled “A Noble Fragment”. Leaf is number 193 of the full Latin Bible, with the recto being the Prologue to 1 Chronicles of the Old Testament, and the verso the first part of Chapter 1 of 1 Chronicles. Each page features two columns of 42 lines in dark black Gothic type, accented by red and blue rubrication. Each copy of the Gutenberg Bible differs in its rubrication and illumination, with buyers at the time deciding upon these embellishments after the Bible was printed. The six-line rubricated letters of this leaf were likely added later, restored to match the original style. Leaf measures 11.125″ x 15.375″, bound on edge to portfolio measuring 11.75″ x 16″. Paper quality is still bright with very little foxing or discoloration compared to other examples. A stunning example from the book that changed the course of history. Sold for $136,500.
Exceedingly Rare First Printing Dust Jacket of “The Great Gatsby” — Scarce Jacket Houses First Printing of the Classic Novel
Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s “The Great Gatsby”, with the nearly impossible to find first printing dust jacket, showing the lowercase “j” in “Jay Gatsby” on the rear flap hand-corrected in ink, indicative of the first printing. New York: Charles Scribner’s Sons, 1925. Designed by artist Francis Cugat, the dust jacket echoes the romantic tone of the novel, with hints of loss and opulence at its core, showing a pair of feminine eyes, with two nude figures in her irises, gazing over a Coney Island carnival. Fitzgerald’s reaction to the jacket was captured in a 1924 letter to editor Maxwell Perkins, “For Christ’s sake, don’t give anyone that dust jacket you’re saving for me. I’ve written it into the book.” It is perhaps one of the few instances where the jacket design actually influenced the novel, and is one of the scarcest first printing jackets in modern literature.
For the book itself, every first printing point is present: 1925 printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; “chatter” appears on page 60; “northern” appears on page 119; “it’s” printed on line 16 of page 165; “sick in tired” found on page 205; “Union Street station” mistyped on line 7-8 of page 211. Bound in teal cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Book runs 218pp., and measures 5.5″ x 7.75″. Minor shelf wear and discoloration to half-title page, overall in very good plus condition for book. Light chipping to spine of jacket, and small losses on spine and upper front portion expertly restored, as well as light edgewear. Also in very good plus condition. Housed in custom blue morocco slipcase. A very seldom-encountered true first printing of an enduring classic. Sold for $84,000.
Rare first edition, first printing of one of the most desired books in the history of literature, F. Scott Fitzgerald’s ”The Great Gatsby,” published by Charles Scribner’s Sons: New York: 1925, with the nearly impossible to find first printing dustjacket. Every point is present: 1925 is printed on title page; Charles Scribner’s Sons logo appears on the copyright page with no subsequent printing statements; ”chatter” appears on page 60; ”northern” appears on page 119; ”it’s” is printed on line 16 of page 165; ”sick in tired” is found on page 205; ”Union Street station” is mistyped on line 7-8 of page 211. Bound in dark green cloth boards with title and author’s name blind-stamped to front board and gilt lettering to spine. Francis Cugat’s scarce original unrestored first printing dustjacket has the lowercase ”j” in ”jay Gatsby” on the back panel hand-corrected in ink. Sold for $50,000.
Scarce 1493 First Edition of “Nuremberg Chronicle”, the Lavishly Illustrated High Point of Printing in the Age of Incunable, Published Shortly After the Gutenberg Bible
Scarce first edition, first printing of “Liber Chronicarum” or “Nuremberg Chronicle”, the 15th century illustrated history of the world, widely considered the high point of printed books in the post-Gutenberg incunable era. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 12 July 1493. Written by the Nuremberg doctor and humanist Hartmann Schedel, and largely illustrated by Michael Wolgemut’s workshop, with many views reportedly completed by Albrecht Durer, who apprenticed with Wolgemut at the time. Sold for $31,500.
F. Scott Fitzgerald Lot of Two Extraordinary, Unpublished & Handwritten Poems: “…Tenderest evidence, thumb-print of lust…”
Incredible grouping of F. Scott Fitzgerald original prose, written for Helen Hayes’ daughter Mary MacArthur, who died of polio at the young age of 19. Here, the already famous author pens two lyrical poems, dated 1931 and 1937. At the time he writes the first poem, Fitzgerald was completing “Tender is the Night” while caring for his ailing wife, Zelda, whose mental illness had left her hospitalized in 1930. Fitzgerald handwrites the first, shorter poem in green ink. Inscribed “For Mary MacArthur”, it reads in full: “‘Oh Papa — / My Papa — / Say Papa’ / So! / ‘Is Papa / Your Papa / My Papa?’ / No! / So Spoke You / Why Joke You? Just For To-day / Our Word Is / (Like Birdie’s) / Plenty To Say”. Signed, “F. Scott Fitzgerald / Feb. 13th 1931”. The second, lengthier poem appears on the verso of the same sheet, titled, “Addenda (seven years later)”. Reads in full, “What shall I do with this bundle of stuff / Mass of ingredients, handful of grist / Tenderest evidence, thumb-print of lust / Kindly advise me, O psychologist / She shall have music — we pray for the kiss / of the god’s on her forehead, the necking of fate / How in the hell shall we guide her to this / ‘- Just name her Mary and age her till eight.’ / What of the books? Do we feed her our bread / of the dead, that was left in their tombs long ago / Or should all the fervor and freshness be wed / To next year’s inventions? Can anyone know? / How shall we give her that je ne sais quoi – / Portions of mama that seem to be right / Salted with dashes of questionable pa? / ‘- Age her till eight and then save me a bite.’ / Solve me this dither, O wisest of lamas, / Pediatrician – beneficent buddy / Tell me the name of a madhouse for mammas / Or give me the nursery – let her have the study / How can I pay back this heavenly loan / Answer my question and name your own fee / Plan me a mixture of Eve and St. Joan / ‘- Put her in pigtails and give her to me.’” Signed, “F. Scott Fitzgerald, Nyack 1937”. Sheet measures 7″ x 8″ with poem to front and longer prose poem to verso. From the estate of Helen Hayes. An extraordinary collection, adding to the catalogue raisonne of Fitzgerald’s known works. Sold for $30,875.
Exceptional Ernest Hemingway autograph letter and signed envelope, one day after catching the 500 lb. marlin in Bimini that inspired ”The Old Man and the Sea”, apocryphal until this letter which documents for the first time in Hemingway’s own words not only the size of the marlin, but also its attack by sharks, similar to the plot of Hemingway’s novel. Letter is accompanied by a photo of Hemingway and his friend, Henry Strater, with the half-eaten marlin. Dated 8 May (identified as 1935 by the “Hemingway Letters Project”), Hemingway writes to Erl Roman, the fishing editor of the ”Miami Herald”, describing the catch in detail, the attack by the sharks, and also mentioning that he is sending some photos to Roman. Letter in pencil reads in part,
”Will make this very short on acct. Bill Fagen leaving May 8 / Dear Erl: Yesterday May 7 Henry H. STRATER, widely known painter of OGUNQUIT Maine, Pres. Maine Tuna Club, fishing with me on Pilar landed Blue Marlin which weighed 500 lbs on tested scales after all of meat below anal fin had been torn away by sharks when fish was brought to gaff– Had him ready to take in when sharks hit him– Fish 12 feet 8 1/2 inches– Tail 48 inch spread–girth 62 in. (will send all other exact measurements when have chance to use Steel tape on him). Fish hooked off Bimini, hooked in corner of mouth, never layted, jumped 18 times clear, brought to boat in an hour such a heavy fish jumped hell out of himself. We worked him fast our system. Had him at boat when shark hit him. Strater has football knee, went out of joint, had hell with it, we wouldnt handline fish, he got him up himself, in one hour 40 minutes, we got him over the roller after Some lifting boy, all blood drained, meat gone below anal fin to tail, but fish completely intact, Fred Parke is mounting it–“
Two page autograph letter is accompanied by an envelope signed in pencil, addressed in Hemingway’s hand to ”Erl Roman Esq. / Miami Herald / Miami / Fla.” and signed by Hemingway on the verso, ”E. Hemingway / Yacht Pilar / Bimini / B.W.I.”
Importantly, Hemingway’s account of the marlin catch differs from other anecdotal stories of it, one of which describes Hemingway using a ”machine gun” on the shark, which purportedly attracted more sharks to the feeding frenzy. It’s likely Hemingway left out this detail, as Strater would blame its use on attracting more sharks to the marlin, depriving Strater of a world record marlin catch. “Old Man and the Sea” has been noted by Hemingway scholars as most likely inspired by this particular 7 May 1935 trip, including Michael Culver in his biography “Sparring in the Dark: Hemingway, Strater and The Old Man and the Sea”.
Letter measures 8.5” x 11”, envelope measures approximately 6.25” x 3.625” and photo, which is a modern reproduction, measures 7.75” x 9.75”. Letter is uniformly toned with some chipping along edges, and small piece of tape at very top. Envelope has some foxing and torn edge from opening. Both items are in very good condition. A remarkable letter in Hemingway’s own words of a legendary fishing adventure that inspired one of his most popular, Pulitzer-Prize winning novels. Sold for $28,000.
Exceptional first Queen Elizabeth autograph document signed, concerning the need for additional troops during the Nine Years War in Ireland in 1599. Fought from 1594-1603, the Nine Years’ War (also called Tyrone’s Rebellion), was the largest English conflict in the Elizabethan era, with England committing 18,000 troops to combat Gaelic Irish chieftains opposed to English rule. In this document, dated 4 June 1599, Queen Elizabeth writes to Lord Roger North, referring to him as the ”Treasurer of our Household and Lord Lieutenant of Oure Countie of Cambridge”. The Lord Lieutenant of Cambridgeshire served as the Monarch’s personal representative for the counties of the United Kingdom, which in this case included all of Ireland. Document reads in part, “Right trusty and wellbeloved Counsellor wee greet yow well…our present Service in Irland requireth that there should be a speedy supply made of a certen nomber of men to be sent thither for the reinforcement and filling up of ye bands already gone [the Earl of Essex had taken a large contingent to Ireland earlier the same year] which upon occasion may from tyme to tyme grow weake and be diminished through sicknes or otherwise: for which purpose wee have resolved to have the nomber of two thousand men to be taken out of some speciall Counties of this our Realme, and put in readines for our Service aforesayd: wee therefore will and require yow with all expedition to Cause the nomber of fifty hable men within that our County of Cambridge, to be levyed, mustered, furnished with apparell or sorted with armour or weapons in such sort as yow shalbe directed by our Counsell. And for ye tyme of delading them on to such Captens and leaders, as they shall name unto yow to have the Charge to Conduct them to ye place of their imbarquing, As also for their Coate and Conduct and other necessaries, yow shall likewise follow such farther directions as yow shall receive them from our sayd Counsell. And these…shalbe your sufficient warrant and discharge…Given under our Signet at our Mannor of Greenwich the fourth day of June 1599…” Document features large, ornate ”Elizabeth R” signature at top, along with seal from the Queen. Docketing by recipient and integral address leaf to verso. Folds and toning, but in otherwise exceptional condition for a document of its age. Bold Queen Elizabeth autograph. Very good to near fine. Sold for $27,500.
Ayn Rand First Edition, Signed Copy of “Anthem”
Hardcover with dustjacket. Caldwell, Idaho: The Caxton Printers, LTD.: 1953. Copy given to Nathaniel Branden, her purported protege and lover. Signed and inscribed by Rand in blue ink, “To Barbara and Nathan – – who are now fully my children – to mark your first six-months wedding anniversary – Ayn / July 14, 1953.” Book, which measures 6″x 8.5″, runs 105pp. Thinly-veiled sci-fi-ish allegory supports Rand’s classic Objectivist thesis regarding the subjugation of the ego for the greater whole of society. Dust jacket in near fine condition with minor chips at top. Slight cloth board spotting and very mild toning to interior. A near-perfect signed Ayn Rand first edition copy. Our most expensive Ayn Rand first edition that we have handled. Sold for $22,500.
James Joyce Autograph and an Henri Matisse Autograph in a Scarce Limited Edition of “Ulysses”
Scarce copy of “Ulysses” rare book by James Joyce, illustrated by Henri Matisse. New York: The Limited Editions Club: 1935. Number 297 of a limited edition run of 1500 copies. One of only 250 such copies signed by both Joyce and Matisse. Boldly signed by the author and illustrator on limitation page. Full brown buckram boards with gilt embossing to front cover and backstrip. Large octavo measures 9″ x 11.5″. Volume runs 420pp. with an introduction by Stuart Gilbert and illustrations by Henri Matisse including 20 reproductions of preliminary drawings and six original soft-ground etchings. In 1935 George Macy, founder of the fledgling Limited Editions Club, made the bold decision to commission Matisse to illustrate Joyce’s controversial and previously banned masterpiece, “Ulysses.” Matisse, understanding that Joyce’s work parodied the original eighteen episodes of the “Odyssey,” chose to create his 26 full-page illustrations as actual illustrations of Homer’s original work. Matisse later signed all 1500 of Macy’s limited edition, however, as legend has it, when Joyce realized that Matisse had been working from Homer’s “Odyssey” rather than his novel, he refused to sign any more than the 250 copies he had already signed making this double-signed edition exceedingly rare. Rare book without original slipcase, else fine condition. Sold for $14,460.
First Edition, Third Printing of F. Scott Fitzgerald’s Second Novel, “The Beautiful and Damned” — With a Charming Inscription to Actor Edward Everett Horton
Signed and inscribed first edition, third printing of F. Scott Fitzgerald’s “The Beautiful and Damned.” New York: Charles Scribner’s Sons: 1922. Fitzgerald’s second novel paints a vivid portrait of the Eastern elite during the Jazz Age in America. Copy is inscribed by Fitzgerald on the front free endpaper: “This book oddly enough is responsible from its title for the phrase ‘beautiful and dumb.’ I doubt if it has any other distinction. For Edward Everett Horton from F. Scott Fitzgerald / Encino 1939.” In publisher’s original green cloth boards with some soiling. Includes a later printing dustjacket from the A.L. Burt edition with minor wear. Very good condition. Sold for $10,781.
Ernest Hemingway Signed First Limited Edition of ”A Farewell to Arms” — Scarce in Original Slipcase
Ernest Hemingway signed limited first edition of his post-WWI classic, ”A Farewell to Arms”, housed in its original limited edition slipcase, with numbers matching. New York: Charles Scribner’s Sons, 1929. Published on 27 September 1929 in a limited edition of 510 numbered copies, this being #214, signed boldly ”Ernest Hemingway” in black fountain pen. In matching slipcase with Charles Scribner’s Sons plate, again listing the limited edition as #214. Measures 6.5” x 9.5”. Some chipping to seams of slipcase, overall in very good condition. Chipping to spine label, otherwise book is near fine. Sold for $10,313.
Ernest Hemingway Signed “Men Without Women” — Dedicated in His Hand to the Son of Renowned Actress Helen Hayes
Ernest Hemingway signed “Men Without Women”, Charles Scribner’s Sons: New York: 1955. Hemingway’s autograph dedication to the front free endpaper is to the son of actress Helen Hayes and reads in full: “To Jim MacArthur / With best wishes from his friend / Ernest Hemingway / Finca Vigia / San Francisco de Paula / Cuba”. Hemingway’s short story collection is bound in oatmeal cloth boards with gilt lettering and black print to spine. Measures 5.25″ x 7.5″. Cocking to spine, mild sunning to backstrip and wear to spine ends, else near fine. From the estate of Helen Hayes. Sold for $8,160.
Ernest Hemingway signed presentation copy of ”The Old Man and the Sea”, the novel perhaps most responsible for Hemingway’s Nobel Prize in Literature awarded in 1954, the same year he signed this copy. Hemingway writes in bold blue ink, ”For Ian / with much affection / Ernest Hemingway. / Laitokotok 1954”. The recipient is Ian Richard Whichello, a policeman in Kenya at the time of the inscription, and the place, Laitokotok, is a town in Kenya near Amboselli National Park – the site of Mount Kilimanjaro, which Hemingway and his wife visited in January 1954. Shortly after this visit the Hemingways would survive two well-known plane crashes, after which Whichello might have attended to them, given the personal nature of the inscription here. Copy published in London by the Reprint Society, 1953, with decorative illustrations throughout including the large marlin on the endpapers. Bound in teal cloth boards with silver lettering and embellishments to boards. Measures 6.25” x 8.75”. Whichello’s name on front free endpaper, a bit of foxing to endpapers and minimal expert restoration to spine. A stunning copy in very good plus condition with a bold and interesting inscription by Hemingway. Sold for $7,500.
Charles Dickens 1859 Signed Copy of His Weekly Magazine Featuring “Christmas Tales”
Extra 1859 “Christmas Tales” edition of Dickens’ weekly magazine, “Household Words,” which was published every Wednesday from 1850-59. Signed with Dickens’ full signature & typical paraph on the title page. Dickens also initials “C.D.” in pencil beside his contributions to the magazine, which included “A Christmas Tree” and “What Christmas Is, as We Grow Older.” Includes a 1933 note from owner Walter Browne stating that “this volume of Christmas Tales by Charles Dickens is specially autographed by him for ‘Pa Browne’ who had the leaflet sent up to him, & he kindly signed it – ‘Pa’ Browne died in 1882…” With frontispiece portrait and ownership inscription of “Mr Russell Browne, York, 1859” on verso of the title. Very good condition. Sold for $7,200.
Oscar Wilde Handwritten Signed Poem Excerpt from “The Garden of Eros”
Oscar Wilde handwritten excerpt from his poem “The Garden of Eros”, rare in Wilde’s hand. Beautifully penned stanza reads in full,
“Spirit of Beauty! tarry still awhile
They are not dead, thine ancient votaries,
Some few there are to whom thy radiant smile
Is better than a thousand victories”
Signed “Oscar Wilde / June 26 ’82.” Each slip measures 6.625″ x 4″, originally part of a bifolium document separated along the natural fold line in order to be displayed. Triple-matted along with a photo of Wilde to a size of 24.25″ x 10.5″. Light browning at edges, overall in very good condition. Sold for $4,600.
Beautiful First Edition Set of Charles Dickens Five Christmas Books — Including Scarce First Edition, First Printing of “A Christmas Carol”
Rare complete first edition set of Dickens’ Christmas books, beautifully bound in deep red morocco. London: Bradbury & Evans: 1843-48. A complete set of the five novels that forever wed Dickens’ legacy to the celebration of Christmas. Volumes include “A Christmas Carol,” “The Chimes,” “The Cricket on the Hearth,” “The Battle of Life” and “The Haunted Man.” First edition, first printing of “A Christmas Carol”; first edition, second printing of “The Chimes”; first edition, second printing of “The Cricket on the Hearth”; first edition, fourth printing of “The Battle of Life”; first edition of “The Haunted Man.” With original illustrations, including four full-color plates in “A Christmas Carol.” Books are uniformly bound in sumptuous red crushed levant morocco with gilt spine titles inside five raised bands. Inner covers decoratively tooled with designs unique to each title and double-ruled borders in gilt. Marbled endpapers and top edges gilt. In very good condition with moderate wear and light, expected soiling. Spine has been rebacked on “A Christmas Carol” and its original endpapers are not present. Overall, a very good, scarce first edition set of Dickens’ wondrous holiday works. Sold for $4,440.
Oscar Wilde Autograph Letter Signed — “…I have been writing, and I have an idea that some of my letters have gone astray…”
Oscar Wilde autograph letter signed, undated though circa 1890, on letterhead bearing his “16, Tite Street” address. Wilde writes to John Knowles, editor of “The Nineteenth Century: “…I do not know if you have yet sent me a cheque for my last article, as I have been writing, and I have an idea that some of my letters have gone astray. Kindly let me know if it has been sent, and I will make enquiries…Oscar Wilde.” 2pp. on card-style stationery measuring 4.75″ x 6.5″. Heavily toned on first page; in good condition with dark writing. Sold for $3,600.
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